E.T.A. Hoffmann was always one of the most beloved German writers in Russia. We already wrote about the animated version of Nutcracker (1973). Tatyana Ilyina produced her full featured version of Nutcracker in 2004. Hoffmaniad (Гофманиада), the most recent stop-motion animated film with elements of computer animation, has been in the works since 2001. It will combine elements of several novels, including Little Zaches, The Golden Pot, and The Sandman. It features art and design of a prominent Russian-born artist, Mikhail Shemyakin. As of now, a 20-minute version is available (based on The Golden Pot). The quality of puppets and design is amazing. Fantasy and reality blend together, and the world of the protagonist, Hoffmann, who serves as a low-rank official, is more tragic and surreal than magical adventures he writes about. Unfortunately, no exact release date is given.
Directed by Stanislav Sokolov
Russian, no English subtitles
A Cloud in Love (Влюбленное облако) was made in 1959 by Roman Kachanov, one of the pioneers of the Soviet stop motion animation. During the Stalin era in Soviet animation, realistic style with extensive use of the rotoscoping technique was dominant. In the late 1950s and in 1960s, during the Khrushchev's Thaw Soviet animators revived stop motion technique. Kachanov produced several dozens of animation films both hand-drawn and stop-motion (puppet animation). Among his films are a well-known trilogy about Cheburashka, The Mitten, and sci-fi The Mystery of the Third Planet.
A Cloud in Love is a unique film based on a script by a Turkish poet Nâzım Hikmet Ran (who lived in exile in Soviet Russia). It's an allegorical story about an evil desert spirit who tries to destroy an oasis that is tendered by beautiful Aishe. Luckily, a Cloud falls in love with her and protects the oasis, although it costs him a life. It features mixed technique (puppets, marionettes, and hand-drawn animation). In relatively low violent Soviet cartoon protagonists usually, survive and overcome challenges. However, in this cartoon, the main character (Cloud) perishes. It is not very surprising if one take a look at the desert spirit. A mustached oriental villain that tries to destroy the oasis is not only a political satire on Turkish rulers by Nazim Hikmet Ran. The Soviet Union at this time was going through condemnation of (some of) the Stalin's crimes. Children cinema and literature were less affected by the Thaw. Still, images of a ruthless and treacherous oriental ruler and his victims unavoidably create some allusions. Oriental overtones of Stalin despotism are empathized by historians (such as Robert Tucker) and his political enemies (such as Trotsky who called him Genghis Khan). Of course, this film is far from being a political cartoon. However, the presence of a menacing force that brings death and destruction reflects a mood of the day.
A Cloud in Love (Soyuzmultfilm 1959)
Russian, with English subtitles by Russian Media Subtitles